Glass Tides - Trading Places
Glass trading Beads Trade Beads Beads, Italy, 17th and first half of 18th century, single-coloured, variegated, white and clear glass.
Museum no. Given by Moses Lewin Levin.
Transferred glass trading the Museum of Practical Geology. These beads were known as 'trade', 'aggry' or even 'slave' beads the Museum's accessions register records that many of its examples were 'made for use in the African slave trade'. The beads were popular as glassmaking was uncommon in Africa, making them unusual and precious.
They were particularly valued and sought after in West Africa, where they were often used in the creation of high-status decorative quality indicators for binary options objects, for example in the Asante Ashanti necklace from Ghana, probably worn by a member of the court. Beads, Italy, c. Gilded glass, with applied threads and dots of coloured glass.
Victoria and Albert Museum
The beads' history dates to the 15th century when Portuguese trading ships arrived on the coast of West Africa to exploit its many resources, including gold, slaves, ivory and palm oil. At that time, glass beads were a major part of the currency exchanged for people and products.
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- Trade Beads - Victoria and Albert Museum
The beads proved to be a cheap and efficient means of exploiting African resources, especially as glassmaking technologies developed in Europe. Trade beads were not of a set form but were produced according to demand, which could vary from region to region, village to village, resulting in many thousands of different designs.
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Reinventions of ancient Roman and Egyptian forms were also popular. Beads, Italy, 19th century, white, single coloured and variegated glass.
Italian Venetianmade for use in trade in South Africa.
For information about how to fix this, see the documentation page. With the experience handed to me by my late father who was himself engaged as an aluminium and glass contractor, CGT Glass Trading started its humble beginning as a glass polisher and bevelling glass.
The large number of people involved in the manufacture of trade beads, plus the fact that bead makers - and their designs - moved around, means that it is extremely difficult to attribute a bead to a particular place, maker or time. Some designs can be given a more precise provenance through dated sample cards, sample books or bead catalogues produced by European bead trading houses in the midth to early 20th centuries, now held in museum collections.
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The British Museum holds the majority of the Levin Collection, including sample cards. This Museum was established in to illustrate 'the mineral wealth of the United Kingdom and [its] colonies' and contained glass trading of industrial and artistic products made from raw materials mined from the earth.
Its displays included glass and ceramic ware. Beads, Italy, opaque variegated glass, probably 19th century. Further reading Dubin, Lois Sherr.
A History of Beads: 30, B. New York: H.
Abrams, National Art Library Pressmark: Baubles, Buttons, and Beads: the Heritage of Bohemia. Atglen: Schiffer, c Glass Beads from Europe. Collectible Beads: a Universal Aesthetic.
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Vista, CA: Ornament, Inc. Eicher, eds. Oxford: Berg,